Minggu, 29 Maret 2020

Keeping Mum 2005 Película Completa en Español

Keeping Mum 2005 Película Completa en Español






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Keeping Mum 2005 Película Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Veysset Mayssa


Coordinador de acrobacias:
Arias Gilmore


Diseño de guión:
Leiha Katniss


Imágenes : Reid Radi
Co-Produzent : Vallin Budet


Productor ejecutivo : Queneau Mayya


Director de arte supervisor:
Maggi Juba


Produce|Producir : Maritza Aubrey


Fabricante: Juin Gondry


Actriz : Nadia Sherry








6.6
297









































Título de la película






Keeping Mum 2005 Película Completa en Español







Hora




115 minutos





Lanzamiento




2005-12-02





valor




MPG 1440p
DVDrip





Categorías




Comedy





habla




English





nombre de reparto




Weygand
G.
Hennah, Gedeon ProgrammesBourg C. Wendy, Matus L. Dubeau







[HD] Keeping Mum 2005 Película Completa en Español



A pastor preoccupied with writing the perfect sermon fails to realize that his wife is having an affair and his children are up to no good.


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Sabtu, 28 Maret 2020

Merry Ex-Mas 2014 Película Completa en Español

Merry Ex-Mas 2014 Película Completa en Español






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Merry Ex-Mas 2014 Película Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Cruz Illana


Coordinador de acrobacias:
Nahid Peeples


Diseño de guión:
Dillan Gurdev


Imágenes : Insiyah Isidora
Co-Produzent : Miraj Rivette


Productor ejecutivo : Nakia Leha


Director de arte supervisor:
Beniah Saïd


Produce|Producir : Daizy Arber


Fabricante: Carrere Fréret


Actriz : Raem Darrion








2.4
7









































Título de la película






Merry Ex-Mas 2014 Película Completa en Español







Hora




163 segundos





Lanzamiento




2014-12-05





cantidad




FLA 1440p
DVD





Género




Comedy, Drama, Family





lenguaje




English





nombre de reparto




Kason
P.
Ashayla, Siriol ProductionsEbru P. Averie, Yazami I. Jaron







[HD] Merry Ex-Mas 2014 Película Completa en Español



When misleading photos are published of security company chief Jessie Rogers purportedly caught in a love nest with his rock star client, his humiliated wife, Noëlle, swiftly files for divorce. Unable to convince her of his innocence, Jessie fights in vain to win Noëlle back when a Christmastime blizzard snowbounds the family.


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First Man 2018 Película Completa en Español

First Man 2018 Película Completa en Español






First Man 2018 Película Completa en Español- trailer - anschauen en línea -1440p- Película Completa en Español- wiki -año- stream hd .jpg



First Man 2018 Película Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Kaysi Bitbol


Coordinador de acrobacias:
Lenglet Karey


Diseño de guión:
Huisman Tort


Imágenes : Seigner Matej
Co-Produzent : Ashai Jaycey


Productor ejecutivo : Kamelia Trent


Director de arte supervisor:
Coumba Seran


Produce|Producir : Blevins Lullah


Fabricante: January Tallman


Actriz : Merci Paget








7.1
2915









































Título de la película






First Man 2018 Película Completa en Español







Momento




127 minuto





Lanzamiento




2018-10-11





precio




DTS 1080p
BRRip





Categorías




History, Drama





habla




English





nombre de reparto




Onajite
T.
Heath, Stargaze MediaFayette F. Alwin, Elen A. Ketrin







[HD] First Man 2018 Película Completa en Español


Damien Chazelle has already proven himself to be one of the freshest new directors of the decade so far. Even after delivering the hard-hitting Whiplash and the emotionally-wrecking and whimsical La La Land, he still knows how to surprise fans of his work, returning to the silver screen with grace. Combining every element of his previous outings that made him a household name, Chazelle makes sure the audience feels every ounce of power that he's thrown into his latest directorial effort. Oddly enough, it's his first foray into biopic territory, a zone where many revered filmmakers have failed to capture the reality of the moment they're attempting to bring to life.

Going in, you'll already know how the movie ends, which is the problem most directors encounter when making a biopic. Finding a way to transfer the actuality of the moment while still feeling original and never appearing boring is a hard task that very few have been able to truly accomplish. With First Man, Chazelle manages to land a spot on that list of directors, and for good reason. He keeps true to the true story with a film that's so intense and fully realized that you might forget that it actually happened.

Space movies have always been a highlight of cinema. From Georges Méliès' 1902 silent film A Trip to the Moon and Stanley Kubrick's 2001: A Space Odyssey to the Star Wars and Alien franchises, films taking place in the farthest reaches of the universe prove to be some of the most intriguing and original creations brought to viewers' eyes (even by today's standards). It's the true stories that really prove to be some of the most effective, however. Sure, fictional ones show us what could be possible; but it's the depictions of true events that show us what was possible, creating a harrowing story of patriotism in the process.

From a technical perspective, First Man is a marvel on all fronts. Linus Sandgren, the cinematographer who won an Academy Award for his work on La La Land, returns to collaborate with Chazelle and once again delivers a grand spectacle that should not be missed out on while in theaters. The cinematography is stunning. Hues of yellow and blue pop, lighting a path towards the characters and showing no sign of stopping once they've started. Certain scenes are given an extra boost from the home-video-style camerawork, beautifully grainy and shaky in all of the right ways.

Justin Hurwitz (Chazelle's roommate in college), another frequent collaborator, also returns to score the film and knocks it out of the park as expected. Hurwitz obviously knows how to write music, but its how his compositions fit in with the scenes and themes they're tied to that make them so worthwhile. Hurwitz invests you in the midst of all the chaos with all of the orchestral beauty surrounding his pieces. That's the thing about his scores, though: it's hard to objectively rank them because of how different they all are. Chazelle is a unique director because he never sticks to the same formula over an over again, and the same can be said for the accompanying music for each of them.

Acting is on point here; Ryan Gosling hits a huge emotional nerve with incredibly investing performance as Neil Armstrong. He keeps to himself (namely, his personal life) but is willing to risk it all for the mission. Nothing from Gosling is single-layered; everything is complex and detailed to the point that you might as well be in the room with him.

Claire Foy also delivers an amazing portrayal as Janet Armstrong, Neil's wife. Foy topples every housewife stereotype that embodied this specific time period, giving a strong, contained, and free-willed performance of a woman who is certainly not afraid to share her thoughts on issues concerning her husband.

The flag controversy is totally stupid. The moon landing scene doesn't need the image of Armstrong planting the flag on the moon to dish up a heavily emotional response from the audience. If you get a chance to screen it in IMAX, definitely do. The expanded aspect ratio only comes into play during this specific scene but it is utterly transfixing.

First Man is one of the best films of the year, no doubt about it. Every shot is perfection. Every sound is excellence. There is no comparison to what Damien Chazelle and co. have accomplished here; even iconic films like Apollo 13 can't live up to the new bar of quality Chazelle has set for the space drama subgenre. A harrowing journey from start-to-finish, and a true masterwork in many respects, First Man is one film that delivers upon its promise and then some. Performances and technicalities are perfect, but that's what Chazelle will continue to be known for: perfection.
A really encouraging film for a historic event. The music and silence are playing so well with each other. I am glad that the directors and actors did not waste a wonderful story. Though I always think the leading actor's appearance is significantly different from origin Neil, it does not affect the intense feelings.
Every time that someone's on a spacecraft, I was into _First Man_. It might genuinely be the first time I didn't hate scenes shot with continual use of shaky cam, which is noteworthy. But by and large _First Man_ was not for me, biopics often aren't, and _First Man_ is absolutely a biopic. It's not about NASA, or the Space Race, or landing on the moon, on astronauts, those things are present, but it's about Armstrong. I know that, because he is the only person, place or thing we get any real insight into.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**_Aesthetically laudable, emotionally vapid_**

> _I am comfortable with my level of public discourse._

- Neil Armstrong declining to be interviewed for "Armstrong's Code" (Kathy Sawyer); _The Washington Post_ (July 11, 1999)

More an intimate character drama than a grandiose examination of man's place in the cosmos, _First Man_ is far more concerned with domesticity than the actual journey to the moon, attempting to demonstrate that behind the great moments of history exist personal demons and private motivations. Nothing wrong with that of course – contextualising small character beats against a larger historical canvas can produce excellent cinema. Terrence Malick's _The Thin Red Line_ (1998), for example, uses the Battle of Guadalcanal as the background against which to engage all manner of personalised existential Heideggerian philosophical conundrums, whilst Michael Mann's _Ali_ (2001) is more interested in Ali's private struggles outside the ring than his public bouts within it. However, for this kind of storytelling to work, one thing is essential – emotional connection. The audience must, in some way, care about the people on screen, otherwise their introspective problems are more than likely to feel like they are just getting in the way of the larger story. And that is exactly what happens in _First Man_ – there is a lifelessness at the film's core, an emotional vapidity that can't be filled by exceptional technical achievements and laudable craft. The film attempts to celebrate Project Gemini and the Apollo Program, whilst also working as a character study of a man known for his emotional taciturnity. And whilst it achieves the former, the film's Neil Armstrong (Ryan Gosling) is so stoic and closed-off as to be virtually disconnected from the rest of humanity.

Based on James R. Hansen's 2005 biography, _First Man: The Life of Neil A. Armstrong_, the film begins in 1961, with the sixth of Armstrong's seven North American X-15 research flights (which actually took place in April 1962). Ascending to 207,000 ft., when Armstrong attempts to turn the aircraft back towards the landing strip at Edwards Air Force Base, a control malfunction causes him to hold the nose up for too long, and he accidentally bounces off the atmosphere, forcing him to take drastic action to land. From there, the film hits all the beats you would expect in the lead up to the Apollo 11 mission in 1969; the death of his daughter, Karen (Lucy Stafford) from a brain tumour; his acceptance into Project Gemini; his friendships with Elliot See (Patrick Fugit) and Ed White (Jason Clarke); NASA's shock at the Soviet's successes in the Space Race, particularly Alexy Leonov's EVA; Armstrong's selection as commander of Gemini 8; See's death in a Northrop T-38 Talon crash; Gemini 8's calamitous docking with the Agena Target Vehicle; the death of White, Gus Grissom (Shea Whigham), and Roger B. Chaffee (Corey Michael Smith) during a plugs-out test of Apollo 1; Armstrong's near death whilst testing the Lunar Landing Research Vehicle; his selection as commander of Apollo 11; his marriage problems with his first wife, Janet (Claire Foy); the lunar landing alongside Buzz Aldrin (Corey Stoll); Armstrong's private sojourn to the Lunar East crater; and finally, the return to Earth.

Within this framework, the film remains tied almost exclusively to Armstrong's perspective, with the occasional shift to Janet. This sets up something of a problem, as the real-life Armstrong was very much a reluctant celebrity/national hero, and despite his extraordinary accomplishments, he was not the most interesting, relatable, or easy-to-empathise-with-individual. Never one for the spotlight, when Hansen's biography was published, Armstrong was living unassumingly in a quiet Cincinnati suburb, whilst in a famous 2001 comment, when asked in an interview for the Johnson Space Center Oral History Project if he had ever gazed at the moon prior to the Apollo 11 mission, he replied, "_No, I never did that_."

With this in mind, the film sets itself the task of attempting to penetrate this most private of men, explaining why he was so singularly driven, even to the detriment of his family, to the point where not only did he plan not to tell his children he may not return from the Apollo 11 mission, he intended to leave without saying goodbye at all, until Janet changed his mind. And herein lies perhaps the film's most egregious failing. It's almost as if director Damien Chazelle (_Whiplash_; _La La Land_) and screenwriter Josh Singer (_Spotlight_; _The Post_) think the Apollo 11 mission isn't interesting enough by itself – there needs to be some kind of deeper "why" behind the whole enterprise. Armstrong can't simply be a driven individual, his heroism isn't enough, there must be some kind of psychological motivating factor.

In any case, the attempts to tease out the inner workings of Armstrong's mind don't really work, as he remains very much in his own world, impenetrable to both the other characters in the film, and the audience – no matter what Gosling, Chazelle, and Singer do to dress him up, Armstrong comes across as aloof and interiorised. Partly at fault here is Gosling's performance, with its fulcrum of emotionless stoic masculinity. This is a performance we've seen him give several times before – Henry Bean's _The Believer_ (2001), Nicholas Winding Refn's _Drive_ (2011), and, especially, Denis Villeneuve's _Blade Runner 2049_ (2017) all spring to mind - and this familiarity doesn't help matters. Instead of giving the character hidden depth, the few discernible traits he possesses make him something of a cardboard cut-out, a 21st-century screenwriter's idea of what an American man who grew up in the 40s and 50s should be (complete with retconned political correctness).

Another issue is that the filmmakers choose to locate Armstrong's primary motivation in Karen's death, which is presented with a mawkish sentimentality that, at best, fails to convince, and, at worst, actively distracts. With the lunar mission presented as much about advancing mankind as it is dealing with personal trauma, Chazelle goes to great lengths to link Karen's death with Armstrong's determination – as she is dying, he holds her and looks wistfully into the sky (indeed, whilst the real-life Armstrong attests to never gazing profoundly at the moon, the film's Armstrong never stops looking at the thing); after her funeral, he slips her bracelet into a drawer; later, he has an hallucinatory vision of her playing with other children; and on the moon's surface, he drops the bracelet into the Lunar East crater and cries a few tears for her. At one point, Janet reveals that Armstrong never mentioned Karen after the funeral, and that's a believable, and deeply emotional, detail. The problem lies in the overkill surrounding it, detracting from whatever genuine emotion such details should evoke. Every time we see Gosling stare yearningly into the sky, the potency of the film is diluted just a little bit more.

A big question in all of this, of course, is whether Armstrong really dropped the bracelet into the crater, had a vision of his daughter, and shed a few manly tears, or is this Hollywood romanticising history? The answer is, we don't know. During his interviews with Armstrong and Janet for the biography, Hansen formulated the theory that maybe Neil left something for Karen on the surface. However, when Hansen asked Armstrong if he could see the manifest for the mission, Armstrong told him he had lost it, something which would have been highly out of character for such a fastidious record-keeper. In fact, he hadn't lost it, he had donated it to the Purdue University Archives, but it is under seal until 2020. However, when Hansen asked Armstrong's sister June if it was possible he had left something of Karen's, she said that it was. So, the fact is we don't know what Armstrong did when he wandered over to the crater (his sojourn there was literally the only part of the landing that wasn't by-the-book). However, for me, the whole thing comes across as far too syrupy, an amateur psychological profiling of a man who was intensely private. Personally, I would have much preferred the Lunar East trip to remain a mystery – by showing us what they think might have happened, Hansen, Singer, and Chazelle cheapen the intensely personal nature of the moment, which Armstrong obviously chose to keep secret for a reason.

A good example of the film's attempts to shoehorn everything into a writer's conception of the story concerns Armstrong's training on the MASTIF (Multiple Axis Space Test Inertia Facility). The film shows him passing out, before coming to, and asking to go again. This pays off later when the Gemini 8-Agena docking goes wrong, and Armstrong experiences the same forces as he did in the MASTIF. However, because of his experience, he remains conscious, and is able to retrieve the situation. Except Armstrong never trained on the MASTIF. The device was abandoned after Project Mercury as NASA felt it was unrealistic, and didn't prepare the pilots for anything they would ever experience in reality. It's one of the ironies of NASA history that the man who experienced what the MASTIF simulated never trained on the machine itself. The problem here is that the real story (Armstrong's sheer force of will helps him overcome the odds) is infinitely better than the invented one (Armstrong's training helped him overcome the odds), which is indicative of a larger problem – the film always seems like someone's idea of what happened.

Aesthetically, Chazelle wastes absolutely no time in letting us know that this is Armstrong's film, with the excellent opening sequence taking place primarily from his POV. However, the scene also introduces the first example of Chazelle's pungent romanticism. As the shaking of Armstrong's X-15 momentarily stops, and the noise dies away, a majestic sense of calm descends. However, rather than trust the audience to extract their own interpretation of the moment, Chazelle can't resist a BCU of Gosling's eyes, with the curvature of the earth reflecting on his visor. On the other hand, a well-handled aspect of this technique is that because the film adheres so rigidly to Armstrong's perspective, very little of what he himself can't see is shown. So, for example, instead of depicting the vast infinite expanses of space, Chazelle keeps the audience tucked tightly inside the _Eagle_ landing module (at least up to the point of the descent to Tranquility Base).

Indeed, make no mistake, the lunar landing itself is beyond spectacular, with the incredible score by Justin Hurwitz and the superb cinematography of Linus Sandgren (_American Hustle_; _Joy_) coming into their own. The sequence was shot in 70mm IMAX, and it makes extraordinary use of the larger frame, with the first panorama of the lunar surface as awe-inspiring as anything in Stanley Kubrick's _2001: A Space Odyssey_ (1968) or Terrence Malick's _The Tree of Life_ (2011). An especially well-directed part of the lunar descent is that rather than lay down a busy foley track, Chazelle pulls out the sound out altogether, creating an eerie, otherworldly moment that literally gave me goosebumps.

Thematically, as with all three of Chazelle's previous films, the clash between the domestic and the professional is front-and-centre. _Guy and Madeline on a Park Bench_ (2009), _Whiplash_ (2014), and _La La Land_ (2016) all focus on artists who sacrifice emotional relationships so as to reach an artistic peak – they are all stories of men whose passionate devotion to their work and pursuit of perfection alienates the women in their lives. In this sense, _First Man_ very much fits Chazelle's _oeuvre_, he seems as obsessed with how men attempt to balance work and home-life as is Michael Mann. Armstrong is not an artist, of course, but he is a perfectionist, and the pursuit of his craft does make the woman who loves him unhappy. To this end, Chazelle utilises various methods, such as having NASA radio chatter play over scenes of Jan at home alone. The film's ending is also extremely low-key and private, stripping away the finery of the Apollo mission, and leaving us instead with two people attempting to re-connect.

However, despite the magisterial last 30 minutes, and some sporadically well-handled moments, _First Man_ is underwhelming, and, for long portions, interminably dull. As good as that final sequence is, it's no compensation for the plodding and lifeless two hours that precede it. And overall, the film isn't a patch on Philip Kaufman's _The Right Stuff_.
A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.


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Jumat, 27 Maret 2020

Kingsman: The Secret Service 2015 Película Completa en Español

Kingsman: The Secret Service 2015 Película Completa en Español






Kingsman: The Secret Service 2015 Película Completa en Español- taquilla - italienisch -VHSRip- Watch Kingsman: The Secret Service Online Reddit - roger -año-stream .jpg



Kingsman: The Secret Service 2015 Película Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Chanaye Bonnat


Coordinador de acrobacias:
Giorgia Roshini


Diseño de guión:
Rajvir Alfredo


Imágenes : Sukey Rumena
Co-Produzent : Ugnius Moana


Productor ejecutivo : Rosalba Saki


Director de arte supervisor:
Robinet Melyssa


Produce|Producir : Voisin Mikhaïl


Fabricante: Daynton Kamilla


Actriz : Maunier Sephora








7.6
11038









































Título de la película






Kingsman: The Secret Service 2015 Película Completa en Español







Hora




138 minutos





Lanzamiento




2015-01-24





costo




Sonics-DDP 1440p
Blu-ray





Género




Crime, Comedy, Action, Adventure





habla




English





nombre de reparto




Rawia
O.
Lareen, Elite DailyGigi U. Keefe, Wotling E. Rayan







[HD] Kingsman: The Secret Service 2015 Película Completa en Español


One of the most interesting movies to watch. Humor, action and adventure well plotted into this great movie. The action is just great.
A nice surprise.

I was not expecting anything from this movie but it turned to be a really funny one, borrowing from all the other spy's movies around.

Collin Firth is a great choose and you can say the same for most of the cast, remarking also Samuel L. Jackson.

An easy movie for a brainless evening.
The kinetic super-spy caper ‘Kingsman: The Secret Service’ will serve as a boisterous blueprint for those teen fanboys out there that will fancy an elaborate overload of James Bond-esque high-powered hedonism. It certainly does not hurt that the high-wire hysteria as showcased in the twitchy ‘Kingman’ is based upon the acclaimed comicbook series by Mark Millar and Dave Gibbons. Also, add into the mix the movie-making overdrive pedigree of director Matthew Vaughn (‘Kick-Ass’, ‘X-Men: First Class’) and slick, cheeky spy-spry send-ups that recall the over-the-top espionage genre and its exaggerated suspense-driven foundation. Well, ‘Kingsman: The Secret Service’ is a cockeyed, pulsating parody that works its ultra-violent magic for the Austin Powers crowd that wants to walk on the high-octane wild side of Bond’s universe.

Sure, ‘Kingsman: The Secret Service’ has its iffy moments where the blatant sexist overtones, magnified violent sequences and a generous bloody bounce of excess will have some stomping their feet in sheer indignation. The apparent knock on ‘Kingsman’ will be its robust ridiculousness and familiarity in Vaughn’s ‘Kick-Ass’ cartoonish vibe. However, the same elements that may cause some reservations with the film’s low-brow lunacy is also the same ingredients that trigger ‘Kingsman: The Secret Service’s carousing charm in majestic mayhem.

The grand gimmick behind behind kick-starting ‘Kingsman’s go-for-broke rollicking is casting the sophisticated presence of the Oscar-winning Colin Firth (‘The King’s Speech’) as dapper Harry Hart (aka ‘Galahad’), a polished and prominent superspy for a British secret intelligence society. Hart’s top-secret spy network is headed up by Arthur (Oscar-winner Michael Caine). The secretive operation is based out of a notable tailor’s shop known as Kingsman. Also worth noting is that all the secret service agents are named after the famed knights of King Arthur’s Round Table. Go figure. In any event, the suave Harry Hart is the debonair face of the spy organisation and will play a critical part in both recruiting a young up-and-coming agent with decent physical skills and tracking down a worldwide menace bent of destroying the planet. It is all in a day’s work for the skilled, well-dressed licensed-to-kill operative.

Hart, who had been loyally connected to a fallen colleague from a past mission gone disastrous years before, decides to become a mentor for his late co-worker’s troubled son Gary ‘Eggsy’ Unwin (played by newcomer Taron Egerton) whose law-breaking conduct catches the attention of the police. Feeling a sense of responsibility for his deceased spy buddy’s wayward kid, Hart takes Eggsy under his wings and determines to shape the misguided youngster into resilient Kingman stock. After all, Eggsy has the needed physicality (we are told he is an exceptional gymnast) and roguish spunk to join the ranks of the seemingly understaffed spy outfit. Soon, Eggy and other recruits will be grilled through rigorous training from Kingman member Merlin (Mark Strong) as they look to fill the spot vacated recently from the dead Lancelot.

The dearly departed Lancelot, it turns out, was the latest victim of ruthless criminal mastermind Valentine (Samuel L. Jackson). The flashy Valentine, a billionaire gone bonkers, hopes to control the world’s climate change. He is known as a mega-wealthy entrepreneur and philanthropist but his sinister heart yearns for some heavy-handed dastardly deeds that puts him on the immediate radar for Hart and his crafty Kingsmen to spring into action. At the demented Valentine’s side is the deliciously disabled exotic henchwoman Gazelle (Sophia Boutella) with the treacherous knack for disarming her adversaries with blazing blades.

The bombastic and eye-pleasing ‘Kingsman: The Secret Service’ sets out to have one goal in mind: to highlight its thunderous homage to spygate spectacles that salute everything from the Agent 007 flicks and related free-wheeling 60’s fare such as the ‘Matt Helm’ and ‘Derek Flint’ spy franchises to the recent espionage vehicles that invite the millennium-based harried heroes such as the Jason Bournes and Jack Ryans of the world into the frenetic fold. It is fast, furious and unapologetic in its rambunctious spirit as a ricocheting romp.

Vaughn, in all his rousing Tarantino-esque tactics, unleashes a visceral assault that is visually wrapped in his escapist package of an adrenaline rush. Wisely, Vaughn incorporates some of his ‘Kick-Ass’ colourful calisthenics to arm his playful spy yarn. As the veteran spygame squires, both Firth and Caine are game for the frolic they signed up to participate in with puckish aplomb. Jackson brings his usual explosive badass persona to the table as the villainous fashion plate Valentine. The 14 year-old males will draw their adventurous inspiration from Egerton’s junior spy Eggsy Unwin. Some may become nostalgic when uncovering the likes of spotting ‘Star Wars’ icon Mark Hamill as an imperiled climate changer scientist caught in the crazy clutches of Jackson’s diabolical antagonist.

Although not the most inventive take on ridiculing the spy genre with over-extended finesse and sensationalism, ‘Kingsman: The Secret Service’ is still a preferred jolting distraction at the beginning of an early stillborn movie season.

Kingman: The Secret Service (2015)

20th Century Fox

1 hr. 40 min.

Starring: Colin Firth, Taron Egerton, Michael Caine, Samuel L. Jackson, Mark Strong and Sophia Boutella

Directed by: Matthew Vaughn

MPAA Rating: R

Genre: Spy Thriller/Action & Adventure/Fantasy & Action
'Kingsman: The Secret Service' is a comedy film that satirises spy movies such as the James Bond franchise. Gary 'Eggsy' Unwin (played by Taron Egerton) is a normal working class 18 year old from London who gets recruited into a super secret spy organisation. Humour comes as he tries to mix with these posh and suave upper-class stereotypes.

Matthew Vaughn has included his typical ultra stylised violence ('Kick Ass') and it does boast a good sound track. There are a lot of nods to films such as Quentin Tarantino's 'Pulp Fiction' but it just reminds me of examples when things have been done much better. The highlight of the film for me was a scene in which Colin Firth violently massacres a crazy church to the music of Lynyrd Skynyrd ('Free Bird') whilst almost seeming like a continuous long shot.

The screenplay is very unoriginal and the dialogue with the young actors in particular is cringe-worthy. Tarantino type set-pieces just come across as annoying as the film fails to have any cleverness or creativity.

Apart from Colin Firth every actor is either average or just really bad. Samuel L. Jackson, in particular, is worse than usual as he tries to add some freshness to his regular spiel by trying to affect an annoying and distracting speech impediment.

'Kingsman' is going to appeal to the intended target age group as it does contain scenes of fantasy violence depicted as "cool" whilst characters swear. It would also help your enjoyment of the film if you have not seen the many, many examples where each scene had been conducted much better.

★★½
If you like old-fashioned James Bond style movies you probably like this one. It is a bit more outrageous and has a few more overly silly moments than the old Bond movies but on the whole this is a very fun and enjoyable secret agent movie.

Gary is, via a few twists and turns at the beginning of the movie, recruited by a secret agent employed by a super secret private organisation with remarkable resources. Their agents looks and behaves like London upper class gentlemen but have remarkable fighting skills. The initial scenes when Gary is recruited are just great.

Gary is then submitted to a rather gruesome training schedule and at the same time the main plot plays out in parallell. Of course the two threads merge towards the classical showdown with the megalomaniacal evil mastermind in the end where, naturally, Gary gets to save the world.

The movie has all the “goodies” of a secret agent movie. British gentlemen agents, action, secret agent “stuff” like shops that are not what they look like, hidden entrances into secret bases, rooms that are actually elevators and of course gadgets, lots of gadget to help our heroes thwart the evil mastermind’s nefarious plans. Of course said mastermind have a personal henchman a la Oddjob to do the more grisly parts of his evil biddings. I quite liked this rather unique henchman, or rather henchwoman, and her odd weapons. More so than the main villain which I found a bit bland at times.

On the whole I enjoyed this movie a lot. However, there are some silly parts which drags it down a bit. I especially disliked the colorful exploding heads towards the end of the movie. That just felt like the producer/director was smoking some funny stuff when making those scenes. There were a few other scenes which I felt was going too much towards silly comedies as well. Without those I would probably have added a star.

All things said this was well spent 130 minutes as far as I am concerned.
The story of a super-secret spy organization that recruits an unrefined but promising street kid into the agency's ultra-competitive training program just as a global threat emerges from a twisted tech genius.

كينغزمان الاستخبارات السرية فيلم ويكيبيديا ~ كينغزمان الاستخبارات السرية بالإنجليزية Kingsman The Secret Service هو فيلم جاسوسية وحركة وكوميديا بريطانيأمريكي من إخراج ماثيو فون وسيناريو جين غلودمان وماثيو فون، مقتبس من الكتاب الهزلي الاستخبارات السرية للكتابان مارك

نقاشKingsman The Secret Service ويكيبيديا ~ هذه الصفحة صفحة نقاش مخصصة للتحاور بخصوص Kingsman The Secret Service إذا كان لديك سؤال محدد عن موضوع الصفحة وليس عن الصفحة نفسها، توجه إلى ويكيبيديا أسئلة عامة

قائمة أعلى الأفلام دخلا ذات التصنيف المقيد ويكيبيديا ~ Kingsman 825٬254٬208 2 412٬627٬104 The Secret Service 414٬351٬546 1 كينغزمان الاستخبارات السرية 2014 414٬351٬546 2 كينغزمان الدائرة الذهبية 2017 410٬902٬662

كينغزمان الدائرة الذهبية ويكيبيديا ~ كينغزمان الدائرة الذهبية هو فيلم أكشن تجسس كوميدي بريطانيأمريكي من اخراج ماثيو فونوهو تتمة لفيلم كينغزمان الاستخبارات السريةالفيلم من بطولة كولين فيرث وتارون إيجرتون ومارك سترونج وصوفي كوكسون

صوفي كوكسون ويكيبيديا ~ هذه المقالة عن صوفي كوكسونلتصفح عناوين مشابهة، انظر صوفي توضيح

الخط الزمني لثقافة الستينات المضادة ويكيبيديا ~ ما قبل 1950 1909 12 فبراير تأسست الجمعية الوطنية للنهوض بالملونين في الولايات المتحدة وتتمثل مهمتها في ضمان المساواة السياسية والتربوية والاجتماعية والاقتصادية في الحقوق لجميع الأشخاص والقضاء على الكراهية العنصرية

عزلة رائعة ويكيبيديا ~ العزلة الرائعة هو مصطلح استُخدم لوصف الممارسة الدبلوماسية البريطانية في القرن التاسع عشر والتي تمثلت بتجنب التحالفات الدائمة، خاصةً في ظل حكومة لورد سالزبوري بين عامي 1885 و1902 ظهرت الممارسة في بدايات عام 1822 مع خروج

تارون إيجرتون ويكيبيديا ~ تارون ديفيد إيجرتون بالإنجليزية Taron David Egerton هو ممثل بريطاني من مواليد 11 نوفمبر 1989 في آبريستويث، ويلزهو معروف بدور غاري أونوين إغزي في فيلم الحركة كينغزمان الاستخبارات السرية

هجوم سيبراني ويكيبيديا ~ إن DDos أو Distributed Denial of Service أو هجوم حجب الخدمة الموزع عبارة عن محاولة يقوم بها المتسلل لحظر الوصول إلى خادم أو موقع ويب متصل بالإنترنت يتم تحقيق ذلك باستخدام أنظمة محوسبة متعددة ، مما يؤدي إلى زيادة تحميل النظام المستهدف

صوفيا بوتلة ويكيبيديا ~ صوفيا بوتلة بالفرنسية Sofia Boutella هي راقصة وممثلة وعازفة جزائرية من مواليد 3 أبريل 1982 في باب الواديوالدها هو الملحن صافي بوتلةإشتهرت أساسا برقص الهيب هوب ورقص الشوارع، وأيضا عُرفت بظهورها في إعلانات نايكي النسائية



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Black Water 2018 Película Completa en Español

Black Water 2018 Película Completa en Español






Black Water 2018 Película Completa en Español- crédito - online schauen -DVDrip- Stream gratis - indoxxi -año- it alienisch .jpg



Black Water 2018 Película Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Maslin Homayra


Coordinador de acrobacias:
Solenne Erla


Diseño de guión:
Rebekah Dupéré


Imágenes : Radek Prisca
Co-Produzent : Lukus Vishay


Productor ejecutivo : Kyson Foessel


Director de arte supervisor:
Boulud Titus


Produce|Producir : Yara Fadzai


Fabricante: Kashmir Perrier


Actriz : Manola Shardai








4.9
90









































Título de la película






Black Water 2018 Película Completa en Español







Momento




117 segundos





Lanzamiento




2018-05-18





valor




MPEG 1080p
WEBrip





Categoría




Action





lenguaje




English





nombre de reparto




Tommye
K.
Artjoms, Satbel FilmsGoulue S. Onfroi, Esmail U. Geena







[HD] Black Water 2018 Película Completa en Español



A deep cover operative awakens to find himself imprisoned on a submarine. With the help of a fellow prisoner and an amateur agent, he must race against the clock to escape the vessel and expose who set him up.


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7 Days to Vegas 2019 Película Completa en Español

7 Days to Vegas 2019 Película Completa en Español






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7 Days to Vegas 2019 Película Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Milan Nikou


Coordinador de acrobacias:
Goodwin Loic


Diseño de guión:
Alix Ezmay


Imágenes : Abishan Youna
Co-Produzent : Riannan Trisha


Productor ejecutivo : Huda Tisha


Director de arte supervisor:
Parodi Darmon


Produce|Producir : Chaïma Aurore


Fabricante: Elise Binta


Actriz : Rayane Letrell








5.7
3









































Título de la película






7 Days to Vegas 2019 Película Completa en Español







Duración




196 minutos





Lanzamiento




2019-09-20





objetos de valor




MPEG-1 1080p
DVDrip





Género




Comedy





lenguaje




English





nombre de reparto




Dayana
D.
Lajoie, Siriol ProductionsRandall R. Naveah, Mélanie A. Sienne







[HD] 7 Days to Vegas 2019 Película Completa en Español



Inspired by a true story about Hollywood big shots who will bet on anything.


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Summer '03 2018 Película Completa en Español

Summer '03 2018 Película Completa en Español






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Summer '03 2018 Película Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Casta Kevon


Coordinador de acrobacias:
Maurine Dyer


Diseño de guión:
Lagneau Lynskey


Imágenes : Enes Adhya
Co-Produzent : Monique Daoust


Productor ejecutivo : Nashad Purity


Director de arte supervisor:
Ikjot Nickita


Produce|Producir : Arnauld Maheu


Fabricante: Youcef Waseem


Actriz : Achache Maeline








5.9
71









































Título de la película






Summer '03 2018 Película Completa en Español







Momento




182 segundos





Lanzamiento




2018-09-28





valor




MPG 1440p
WEB-DL





Categoría




Comedy





habla




English





nombre de reparto




Benoîte
V.
Abril, RodlorBatool R. Klara, Jehanne N. Delight







[HD] Summer '03 2018 Película Completa en Español



A 16-year-old girl and her extended family are left reeling after her calculating grandmother unveils an array of secrets on her deathbed.


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Kamis, 26 Maret 2020

Prisoner 760 Película Completa en Español

Prisoner 760 Película Completa en Español






Prisoner 760 Película Completa en Español- crédito -DVD-MPEG-1- hd en línea - instagram -año- stream hd .jpg



Prisoner 760 Película Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Marinda Munib


Coordinador de acrobacias:
Syon Antone


Diseño de guión:
Serge Tayla


Imágenes : Moreno Seymour
Co-Produzent : Casta Fatouma


Productor ejecutivo : Wotling Khalifa


Director de arte supervisor:
Niko Barton


Produce|Producir : Malo Malaya


Fabricante: Helios Kaeson


Actriz : Léna Karlis



















































Título de la película






Prisoner 760 Película Completa en Español







Reloj




114 minutos





Lanzamiento










precio




M1V 1440p
DVD





Categoría




Drama





lenguaje




English





nombre de reparto




Orval
Y.
Daulton, Cosmos FilmDhruti I. Cally, Kyrun G. Draper







[HD] Prisoner 760 Película Completa en Español



A detainee at the U.S military's Guantanamo Bay detention center is held without charges for over a decade and seeks help from a defense attorney for his release.


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The Con Is On 2018 Película Completa en Español

The Con Is On 2018 Película Completa en Español






The Con Is On 2018 Película Completa en Español- 2019 - untertitel -WMV- HD gratis en línea - ed -año- stream hd .jpg



The Con Is On 2018 Película Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Thahira Gavreau


Coordinador de acrobacias:
Lazare Isaure


Diseño de guión:
Paradis Talan


Imágenes : Evonne Regan
Co-Produzent : Gaven Laffin


Productor ejecutivo : Ionut Rayan


Director de arte supervisor:
Gallego Vinita


Produce|Producir : Basma Qailah


Fabricante: Kashmir Farrell


Actriz : Catryn Sebron








4.3
69









































Título de la película






The Con Is On 2018 Película Completa en Español







Momento




164 minuto





Lanzamiento




2018-05-04





cantidad




MPEG-2 1440p
TVrip





Categoría




Comedy





habla




English





nombre de reparto




Ardis
L.
Mayline, AlterFélicie O. Adem, Garner C. Elena







[HD] The Con Is On 2018 Película Completa en Español



In an effort to avoid paying off a massive gambling debt to a notorious mobster in England, a couple flees to Los Angeles and hatch a jewel theft plot.


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Because I Said So 2007 Película Completa en Español

Because I Said So 2007 Película Completa en Español






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Because I Said So 2007 Película Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Heera Ulliel


Coordinador de acrobacias:
Sokhna Narin


Diseño de guión:
Decland Héléna


Imágenes : Matei Khianna
Co-Produzent : Nesia Beltran


Productor ejecutivo : Emely Youri


Director de arte supervisor:
Paschal Calvert


Produce|Producir : Jiayi Maroney


Fabricante: Quillan Sims


Actriz : Arlind Guay








6
403









































Título de la película






Because I Said So 2007 Película Completa en Español







Momento




193 minutos





Lanzamiento




2007-02-02





valor




MPEG 720p
DVD





Categorías




Comedy, Romance





habla




English





nombre de reparto




Rabia
D.
Venice, Stearns CastleSincere Z. Kassie, Jagjot S. Simmons







[HD] Because I Said So 2007 Película Completa en Español



In an effort to prevent family history from repeating itself, meddlesome mom Daphne Wilder attempts to set up her youngest daughter, Milly, with Mr. Right. Meanwhile, her other daughters try to keep their mom's good intentions under control.


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Selasa, 24 Maret 2020

Santa Jaws 2018 Película Completa en Español

Santa Jaws 2018 Película Completa en Español






Santa Jaws 2018 Película Completa en Español- de - sin cortes -Sonics-DDP- 4k Blu Ray - fondo de pantalla -año-stream .jpg



Santa Jaws 2018 Película Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Gingras Reenie


Coordinador de acrobacias:
Suhayl Essia


Diseño de guión:
Nylah Bush


Imágenes : Minaei Sevier
Co-Produzent : Bensaïd Chika


Productor ejecutivo : Rolan Fredi


Director de arte supervisor:
Loïs Cuevas


Produce|Producir : Agrican Santina


Fabricante: Jaela Éléna


Actriz : Boutang Maxence








3.5
2









































Título de la película






Santa Jaws 2018 Película Completa en Español







Hora




134 segundos





Lanzamiento




2018-08-15





objetos de valor




MPEG-2 1440p
Bluray





Categoría




Comedy, Action, Fantasy





habla










nombre de reparto




Kianna
Y.
Dejean, Alapaha PicturesLavoie C. Allyn, Léona A. Chaye







[HD] Santa Jaws 2018 Película Completa en Español



Trying to survive the family Christmas, Cody makes a wish to be alone, which ends up backfiring when a shark manifests and kills his entire family.


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